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The Company

Eighty-six dancers, twenty-seven nationalities, one artistic direction — and a rule that has not changed since the first season: nobody dances the same repertoire two years running.

1998 — today

From a rehearsal room above a Paris arcade to eleven opera houses.

It began with nine dancers, one borrowed studio and a conviction that has since cost us a great deal of sleep: that a European company should belong to no single country.

Bertrand Aumont founded Dance Europa in the autumn of 1998 with dancers from six countries and an agreement with the Palais Garnier for four nights a year. Three seasons later La Scala joined. Then Vienna, then Budapest. The network grew the way a répétiteur teaches a phrase — one house at a time, never faster than the dancers could absorb.

Today the company employs eighty-six permanent artists on identical contracts, whatever their passport or their city of residence. Everyone rehearses in the same three languages. Everyone is paid on the same scale. Everyone is expected, at least once a season, to dance a repertoire they did not choose.

The full company spread across a darkened stage
Portrait of Émilie Vasseur, Chief of International Dancer

Leadership

Émilie Vasseur

Chief of International Dancer

You do not run an international company from an office. You run it from stage left, three minutes before curtain, when nobody in the wings is speaking their mother tongue.

Émilie Vasseur trained at the Conservatoire in Lyon, then at the Vaganova Academy in Saint Petersburg, and danced twelve seasons — six of them as a principal — before moving to the other side of the curtain in 2019.

As Chief of International Dancer she is responsible for recruitment across all eleven houses, for casting every production of the season, and for the individual path of each of the company's eighty-six artists: their coaching, their visas, their injuries, their retirements. She sees roughly nine hundred auditions a year and remembers, colleagues insist, every single one.

Joined the company
2011
Appointed
2019
Based in
Paris · Vienna
Working languages
French · English · Russian · Italian
Auditions seen in 2025
914

Who we are

Artistic & executive team

Sixteen people between the dancers and the world. Portraits by Anouk Vermeer, Berlin, 2026.

Portrait of Émilie Vasseur

Émilie Vasseur

Chief of International Dancer

Paris · Vienna

Portrait of Isadora Lindqvist

Isadora Lindqvist

Artistic Director

Stockholm

Portrait of Matteo Ferranti

Matteo Ferranti

Resident Choreographer

Milan

Portrait of Yuki Sanada

Yuki Sanada

Ballet Mistress

Vienna

Portrait of Amaury Okonkwo

Amaury Okonkwo

Director of European Touring

Brussels

Portrait of Leyla Demir

Leyla Demir

Head of New Work

Istanbul

Portrait of Rafael Duarte

Rafael Duarte

Principal Dancer

Lisbon

Portrait of Hélène Marchetti

Hélène Marchetti

Director of the Academy

Lyon

Portrait of Anton Weiss

Anton Weiss

Music Director

Dresden

Portrait of Sofia Ricci

Sofia Ricci

Principal Dancer

Naples

Portrait of Bertrand Aumont

Bertrand Aumont

Founder & President

Paris

Portrait of Nadia Belkacem

Nadia Belkacem

Director of Audiences

Marseille

Portrait of Karim Bouzid

Karim Bouzid

Technical Director

Paris

Portrait of Camille Roussel

Camille Roussel

Head of Production

Geneva

Portrait of Sasha Novák

Sasha Novák

Associate Choreographer

Prague

Portrait of Lucas Berger

Lucas Berger

Assistant Ballet Master

Copenhagen

The dancers

Eighty-six
artists

Seven principals, twenty-two soloists, fifty-seven in the corps — plus eighteen dancers in the associate urban troupe. Contracts run for three seasons and are renewed by mutual agreement, never by audition.

Two dancers under magenta light
A pas de deux in performance
0
Principals
0
Soloists
0
Corps de ballet
0
Auditions in 2025

Work with us

Auditions open in March

Open calls are held in Paris, Milan, Vienna and Copenhagen every spring, for dancers aged eighteen and over. Travel is reimbursed for every candidate invited to the second round.